Here I continue my response to Cognitive Poetics: An Introduction and Cognitive Poetics In Practice. The chapters on discourse worlds theory and mental space theory build on schema poetics, introduced in the previous chapter. Discourse worlds and mental spaces further the consideration of how context and meaning are reproduced in the minds of readers. These two theories are distinct and come from different traditions, but for cognitive poetics they compliment one another in both scope and depth.
Discourse worlds theory comes out of possible worlds theory from philosophy of language and pragmatics. Possible worlds theory is applied to logical sets and obeys certain logical rules, such as the laws of non-contradiction and the excluded middle. In Cognitive Poetics: An Introduction, Stockwell uses the term discourse worlds to describe the adaption of the philosophical theory to readerly interactions that have narratological and cognitive dimensions.
Discourse worlds can have counterparts in the actual world, as well as other discourse worlds. For example, Shakespeare’s Richard III is the fictional counterpart of the actual Richard III King […]