A few years ago I attended a weekend training in Shambhala Art with Acharya Arawana Hayashi, and subsequently wrote about Chogyam Trungpa’s book True Perception. As I go further in Cognitive Poetics: An Introduction and Cognitive Poetics in Practice, I am inclined to relate the cognitive approach to my previous understanding of a variety of topics, including meditation and Shambhala Art. Particularly, Chogyam Trungpa’s writing on symbolism seems to be connected to conceptual metaphor.
In the vocabulary of Shamhala Art, a symbol can be relative or absolute. The pixels on this screen form relative symbols that indicate words, and the words are also relative symbols that indicate ideas. Ideas can also be relative symbols that indicate a particular ideology, and as Timothy Morton has argued, ideology can indicate a particular subject position. The reticulated system of relative symbols continues ad infinitum. The practice taught by Acharya Arawana Hayashi was to experience the phenomenal world directly, unmediated by conceptual structures. The practice makes use of absolute rather than relative symbols. An absolute symbol doesn’t indicate anything […]